【集歌‧追憶】—可歌可憶的心路歷程，是筆者針對個人碩士班畢業舞展演出的文字報告，主要是紀錄和彙整製作排練過程中的經驗與收穫，藉由回顧與寫作機會，重新省察、思索自己在舞蹈領域裡，所扮演不同角色中的體悟及檢討。
本份報告主要架構為：第壹章緒論，概述自己進入碩士班的學習及本論文的目的與架構；第貳章追憶舞蹈歷程，簡述個人的舞蹈歷程，將分為啟蒙時期、專業時期、職業舞團時期及教學與排練時期來探討，且在這不同時期的歷程中，敘述出對個人影響最深遠的人、事、物；第參章「集歌‧追憶」演出概述，從較客觀的角度，淺談製作演出過程及演出舞碼內容介紹；第肆章「集歌‧追憶」的檢討與回應，從自身擔任製作人、表演者、教學與排練者的不同角色之體驗來探討，主要是對於此展演的檢討與回應；第伍章結論與建議，主要是提出本文的結論，並提出建議惕勵自己與他人。
“Collected Songs”, my intoning and reminiscent journey of dance, is the partial requirement for the Master of Fine Arts degree in Dance Performance, Taipei National University of the Arts. This thesis is about the recording and recollecting experiences and understandings from the same name “Collected Songs”, a graduate dance production. Through writing, I hope to evaluate and discuss about some different roles I have experienced in the production. In addition, I also hope to be able to look into myself including how dance influences my entire life, and where I stand in the dance filed.
This thesis is composed with five chapters. In Chapter One, I briefly describe the structure of the writing and my study experiences in the graduate program, Taipei National University of the Arts. Chapter Two states my personal dance journey, from early dance experience to the professional study at schools, professional dancer in Cloud Gate Dance Theatre, dance teaching, and then finally to the stage of being a rehearsal assistant. I try to discuss and explore some important people, things, and turning points from different period of times that are influential to me and to my dance life. Chapter Three mainly introduces the production and performing processes as well as the contents of each dance work. Chapter Four puts the emphasis on self-evaluation and feedback from the audiences after the concert. At the end, Chapter Five, I make the final conclusion of the entire writing and submit some suggestions to encourage those who are interested in pursuing dance performance as their future career.